The term immemorial roughly means something of great age that goes beyond the limits of memory. Since my idea for the film focuses on the age old depute between man and wolf, I felt that the term Immemorial would work for now.
I have already started some research and concept work towards the project, but as I am currently in the story/ concept refinement stage, all my designs can still change.
I have chosen to work with a forest setting for my film environment. I am worried that I should go with something more original, but I really like a landscape that will allow me to use many painted layers and something that will work well with a more painterly, brush-textured approach.
My inspiration for my color palette came from this autumn mountain picture. I love the contrast of orange and blues.
With a complicated background story, I was able to create a more original environment. The mountain forest for my film is in close proximity to where huge machines of war are being constructed. The production of these machines are giving off huge amounts of smoke from the forges and as a result, the entire landscape is continuously being covered by falling ash. My inspiration for this idea was the aftermath of volcanoes where the landscape is so dense with ash that no color is visible. So my final color palette for my film will be orange, blue and grey.
Some early concept ideas that deal with the wolf as a twisted, distorted monster according to the eyes of man.
My aim with these studies was exploring the elements of the unnatural. Limbs twisting the wrong way, exposed bone, empty sockets, this all implies how humanity's own view of the wolf is just as unnatural.
I experimented with using human hands instead of paws. These hands take the wolf more into the human world. By giving it human hands, I am suggesting that we see the wolf as something more than an animal. Often, the way a wolf's behavior is viewed and portrayed is more like that of a person. We have elevated this animal to a level of intelligence on par with people, forgetting that it is still just an animal.
Some early silhouette exploration of the "good" wolf, after its transformation. I really like the idea of delicate limbs in contrast with the heavy mass of the "evil" wolf.
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